Proceedings

Proceedings are now available:

Complete volume

Keynote speeches (abstracts):

Computational pattern search in folk music: challenges and opportunities

Anja Volk

 

Tuning the radio

Peter Browne

Individual papers:

A revaluation of learning practices in Indian classical music using technological tools

Julien Debove, Dorian Cazau, Olivier Adam

 

Detection of melodic patterns in automatic transcriptions of flamenco singing

Aggelos Pikrakis, Nadine Kroher, José Miguel Díaz-Báñez

 

Publishing the James Goodman Irish music manuscript collection: how modern technology facilitated the editors' task

Lisa Shields

 

Constructing proximity graphs to explore similarities in large-scale melodic datasets

Chris Walshaw

 

Note, cut and strike detection for traditional Irish flute recordings

Islah Ali-MacLachlan, Maciej Tomczak, Jason Hockman, Carl Southall

 

Formalising vocal production cross-culturally

Polina Proutskova, Christophe Rhodes, Tim Crawford, Geraint Wiggins

 

A structure analysis method for Ottoman-Turkish Makam music scores

Sertan Şentürk, Xavier Serra

 

After the Harmonie Universelle by Marin Mersenne (1636), what fingering for the chabrette in 2016?

Philippe Randonneix

 

NEOMI: a new environment for the organization of musical instruments

Carolien Hulshof, Xavier Siebert, Hadrien Mélot

 

Closed patterns in folk music and other genres

Iris Ren

 

A graph-theoretical approach to the harmonic analysis of Georgian vocal polyphonic music

Frank Scherbaum, Simha Arom, Frank Kane

 

Towards flamenco style recognition: the challenge of modelling the aficionado

Nadine Kroher, José-Miguel Díaz-Báñez

 

A search through time: connecting live playing to archive recordings of traditional music

Bryan Duggan, Jianghan Xu, Lise Denbrok, Breandan Knowlton

 

Human pattern recognition in data sonification

Charlie Cullen

 

A pattern mining approach to study a collection of Dutch folk songs

Peter van Kranenburg, Darrell Conklin

 

The Georgian traditional music system

Malkhaz Erkvanidze

 

On the benefit of larynx-microphone field recordings for the documentation and analysis of polyphonic vocal music

Frank Scherbaum

 

Automatic alignment of long syllables in acapella Beijing opera

Georgi Dzhambazov, Yile Yang, Rafael Caro Repetto, Xavier Serra

 

Analysis of Tahreer in traditional Iranian singing

Parham Bahadoran

 

Segmentation of folk songs with a probabilistic model

Ciril Bohak, Matija Marolt

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